Joseph L. Moya (Lorenzomoya.) Curriculum Vitae
Punta Alegre, Cuba, 1961
Education:
2003-Experimental Adobe PhotoShop and CorelDRAW, Maestro Izaos Zaki, D Arq, Cuba,
2003-Experimental Lithograph, San Alejandro, José Contino Academic Master Printer 2003
Recorded Meeting 1993-Cuba-Spain. Tegh. Teacher Juan Genoves and Jesus Nunez.
1992-Arteleku Lithography Course, Spain. Printer Maestro Don Herbert.
1988-Paper Manufactured and Haitter System, Maestro Haitter, Tegh
1988-Design Book. Bauhaus. Book Design Institute. Germany
1986-Photography and Design. ISDI. Maestro Shideo Fukuda.
Courses 1982-1990, Engraving, Woodcut, Collografia and Experimental Techniques, Tegh. Posse and Roger Masters Armando Aguilar.
Lithography-Courses 1980-84 Tegh. Printer Maestro José Contino.
1982-Graphic Design, National School of Design, Cuba,
Memberships:
2009-Founding member of the Print Shop Prints Santiesteban Schmidt, Hialeah, Miami,
2004-Member of the Technical Advisory Council Gallery Villa Manuela UNEAC and the Taller Experimental de Grafica in Havana, Cuba,
2003 - (2006)-Visiting Professor of the Department of Printmaking at the Academy of Fine Arts San Alejandro, (screen printing and Experimental Techniques) Cuba,
2000-President of the Division of Prints of the Artist Association of Writers' Union of Cuba,
1988-Union Honorary Recorder of Saxony, Germany
1986-Union of Writers and Artists of Cuba. UNEAC.
1985-Founder multidisciplinary and experimental group Banco de Ideas Z, Cuba,
1984-Taller Experimental de Grafica in Havana, Cuba
1984-multidisciplinary and experimental group Ph, Cuba
1983-Hermanos Saiz Association of Young Artists, Cuba
Publications.
2009-Magazine Winwood USA.
2009-Targets Hispanic Magazine, USA
2000-Eye Paints, USA.
2000-The Book of the Workshop, Tegh, Cuba.
2000-Book The Cuban Engraving, David Matthew, Cuba.
2000-Catalog Cuban Contemporary Printmaking, FCBC, Cuba.
1999-Billboard Cultural. Creart. Cuba.
1996-Paper-Art Object "Boleros for you." Own Stock. BIZ. Cuba. 1986
1992-newspaper Egin. Euskadi. Spain.
1992-newspaper El Pais. Spain.
Catalog 1990-Contemporary Cuban Art. Cuba.
1989-Magazine Toucan. Germany.
1988-Newspaper Eulinspigel. Germany.
1987-magazine La Gaceta de Cuba. UNEAC. Cuba.
Bearded Cayman 1986-Journal. Cuba.
1986-Art Newspaper Notice. USA.
1985-Revolution and Culture Magazine. Cuba.
1985-Book Ephigramas. Cuba Group Ph.
He has participated in numerous national and international collective exhibitions in over 100 countries, among which are: Cuba, Spain, England, France, Denmark, Sweden, Portugal, Mexico, Russia, USA, etc.
His work is in collections Vicente-personal and Espresate Collection, Spain, Dr. Alida Reinoso Collection, USA, Volvo-Penta Collection, Spain, Vicente Silvia Collection, France, Collection Steven Spielberg, U.S., etc.
Some Solo Exhibitions:
2009-Graph and something else .... Workshop Art Prints Print Santiesteban Schmidt, Hialeah, Miami, USA
2009-Campaign Identity Workshop Art Prints Print Santiesteban Schmidt, Hialeah, Miami, USA
2007-Contigo en la Distancia, Small Sample Personal Prints and Drawings, Gallery Obini, Miami, USA
2004-Trip to Desmemoria, 4th Brief Literature Prize Competition in the Spanish Language, Israel
2004-With True Color Prints collective Expo, Tegh, Museo de Arte Colonial, Centennial Alejo Carpentier, Cuba
2004-INKLUIDOS, collective Expo, Tegh, Cuba
2004-2005-Project and curator of From Nothing to Everything, Interdisciplinary Workshop Graphic Arts, Academy of Fine Arts San Alejandro, attached to the National Tegh sponsored Prints
2004-Auction Habana.com exclusively Engravings, Gallery Galeano, FCBC, Cuba.
2004-Project and curator of Walking the Mirrors, collective Expo 11 teachers on the Self, Academia de Bellas Artes San Alejandro, Cuba
2003-Project Jamart, Tribute to Oshun, Hostal del canopy, side of the Havana Biennial, draft multiparticipación Muñiz Jacinto, Cuba
2003-The Disappointments Fair. Coauthored with Alejandro Ruiz, Rene Lorenzo Ruiz and Yolanda Moya Moya Flavia Ruiz. Gallego Gallery Peláez, Academia de Bellas Artes San Alejandro, Cuba
2002-www.losmoyas.com. Coauthored with Alejandro Ruiz, Rene Lorenzo Ruiz and Yolanda Moya Moya Flavia Ruiz. Gallery Villena, UNEAC. Cuba
2001-At the end of the road. Co-authored by Rene Lorenzo Moya. Suyu Gallery. Cuba
1999-Suite of Changes. Cuba.
1998-Suite of the Millennium. Acacia Gallery. Cuba.
1997-Portraits. Holliday Inn. Cologne. Germany
1996-Portraits in Stereo. Hotel Nacional de Cuba.
1996-Pax de deux. Gran Teatro de la Habana. Cuba
1995-My Last Supper and some appetizers. Palacio de Gaviria. Spain.
1994-My Last Supper and some appetizers. La Maison. Cuba.
1993-Requiem Pax. Bosnia Herzegovina.
1992-King for a Day TEG. Cuba.
1991-Caprichos Everyday. Bilbao. Spain.
1989-Art.Sanias. Horacio Ruiz Gallery. Cuba.
1988-Tientos and Differences. Miramar, Cuba.
1987-Tintazos. House of the Young Creator. Cuba.
Since 1980 is connected to the world of fine art prints, a process that began as Assistant Printer, Printer Art and later as Technical Specialist Engraving, time in which printed editions directly or supervised by Roberto Matta, Rene Portocarrero, Debora Schinlerd, Tomas Sanchez Juan Genoves, Nelson Domínguez, Roberto Fabelo, Zaida del Río, Eduardo Roca (Chocolate), Jesus Nunez, Pepe Franco, among many other renowned artists. In this period accumulated experience training more than a dozen printers in Art Lithograph, woodcut and intaglio.
He has taught over 50 short courses to individual students and group of different countries, different techniques of art prints from 1984 to today, still the most interesting period, because of the constant search for practical solutions to the continuing lack of specialized resources to the visual arts in general, normal and current situation of Cuba, is the period from 1990 to 2002, where he worked closely with Alejandro Sainz, talented writer and master printer Contino José Pérez, sadly deceased, who was a those directly responsible in his capacity as founder of Tegh (Taller Experimental de Grafica in Havana) in 1962, the recovery of lithographic techniques in Cuba and Latin America, Master of more than 10 generations of graphic artists, many of whom were part of the faculty who organized the curriculum of the School of Visual Arts in the 70 Cuban and the Institute Superior de Arte, ISA.
From this period comes the interest of focusing the teaching artist starts necessarily with the knowledge of natural and industrial resources of geographical and economic environment for students, schools or workshops that teach the courses, adapting them as far as possible the traditional technical procedures and Graphic Arts Prints and constantly experimenting on this objective reality, this seemingly traumatic, it is very rewarding and allows searches formal and / or very broad concept, and ensure the training of students very versatile, capable and creative
These searches and experimentation necessarily derived toward recycling and waste resources, completing a cycle that was present in the workshops he taught for four years at the San Alejandro Academy of Arts as Professor of Screen Arts for students in the Specialty Engraving last year, where they learned from carpentry to basic chemistry, giving them as far as possible, given the short duration of the semester of classes that includes the specialty, a wealth of skills and fostering an ongoing experimental space, mutually reciprocal, allowing them face the realization of his work in very difficult circumstances
At the same time gave a series of experiential workshops called From Nothing to Everything on the Woodcut, based on the use and recycling of human and industrial wastes in order to perform all processes from scratch recording tools, papers or media, inks and printing machinery as a result of it looking for the work printed and exposed, these workshops had its first edition during the 8th Meeting of Engraving, in August 2004 and the Academy of Fine Arts San Alejandro event hosted theoretical These workshops are currently undertaking as part of the class content of this course the Academy and are sponsored by the Taller Experimental de Grafica in Havana
He has been Tutor, Consultant, Advisor and Thesis Opponent of students of the Academy San Alejandro Fine Arts until 2006.
Since February 2009, Print Master and Professor of Traditional Techniques and Experimental Printmaking Workshop Art Prints Print Santiesteban Schmidt Hialeah, Miami, which also serves as Artist.
United States
